Throughout the last decade, online diaries have gained notable
popularity and are now a daily routine for thousands worldwide. Since the
introduction of the internet, the diary has had a complete re-invention in both
format and the generic features that create the diary itself. What was once an
intimate and private journal, has now transformed into a public account,
visible to the eyes of a wide audience of internet users. Instagram, the social
networking site I have been researching throughout the past few weeks, is a
prime example of how the both the format and genre specific conventions of the
diary have developed with the introduction of the internet.
With a lack of a post feature, to allow users to verbally
express themselves, it is hard to classify Instagram as an online diary,
however, the genre conventions would say different. The lasting popularity of the
diary genre is no doubt due “to its
seemingly endless flexibility” (McNeill 2011), which has led to the current
generation, posting their feelings, opinions and experiences on the World Wide
Web. This change leaves almost no evidence of the once private, journal that was
handwritten and hidden from friends and family, raising matters about the authenticity
of the online diary. This public outlet for emotions and events, lacks the
intimate and personal touch that made the idea of a diary so attractive for so
many in the first place. When using Instagram for example, uploading photos and
emoticons are the only way to convey how a user is feeling, users are not there
authentic selves when posting, as there users are trying to appeal to their
followers. Here is an excerpt of an essay by Bruce Merry, discussing the diary
as genre. http://www.jstor.org/discover/10.2307/20556925?uid=3737536&uid=2&uid=4&sid=21102608501877
Just by looking at the
presentation in which Instagram is displayed, the evolution of the diary
becomes clear, transforming the design and the concept. But how can this new
form the diary genre has undertaken be classed as authentic? There is no
privacy on the internet, users are sharing their thoughts and opinions with a worldwide
audience, hence defeating the purpose of the personal diary.
References:
McNeill, L.
(2011). Diary 2.0?: A genre moves from page to screen, in Rowe, C. & Wyss,
E.L. (Eds). Language and new media. Cresskill, NJ: Hampton.
No comments:
Post a Comment